Ah the mighty triumvirate of “Earth sucks lets go somewhere
else” movies is finally over, concluding far above the dismal depths of After
Earth and falling short of the excellent Oblivion. This film is very solid, but
yet the flaws are sort of glaringly obvious when they appear. The action is
well shot and very interesting, the acting is by and large perfectly adequate,
and the design of the world is superb. However it just doesn’t have a good
script nor a good plot, and those two things harm the movie’s efforts at being
anything more than a relatively smart action flick.
Matt Damon is a factory worker on Earth who used to be
Nicolas Cage from Gone in 60 Seconds (so it is implied), but he’s gone straight
trying to make enough money to make it up to Elysium, where all the rich people
live. Rich people evidently live forever and can overcome any ailment including
a grenade to the face (but perhaps not a throat slit?), so after Matt Damon
gets fully radiated he wants some of the good stuff. Now he endeavors on a
terrorist pursuit to save himself and coincidentally his childhood love gets
involved and needs her daughter cured.
The plot goes on as you might expect. Sharlto Copley
(protagonist from District 9) plays the primary villain while Jodie Foster
plays the aloof in space villain. Copley puts a lot of heart in the performance
but it would be kind of nice if his accent wasn’t quite so harsh. Jodie Foster
is one of the 2 or 3 best living actresses but they just didn’t give her a very
interesting role to play to display her considerable talents. The supporting
cast is reasonably solid, including the chief terrorist guy who is
simultaneously humorous and weird while seemingly being the only character with
any non-selfish motivations.
This movie has an incredible level of attention to detail
which I appreciate very much. In one scene Matt Damon fires a future-y Rail Gun
through a wall which is displayed on screen impressively, immediately following
this in about 1-2 seconds he discards the emptied first gun and acquires another
from the wall. The camera doesn’t highlight this or anything but it seamlessly
explains where he got his new gun without dumbing it down to the audience; that
sort of thing is very rare in action movies.
Overall the action uses quite a few different techniques
including the dreaded shaky cam, however it is comprehensible shaky cam, it isn’t
like the first Expendables movie or the Bourne Movies; you can for the most
part tell what is going on and the superb sound design helps greatly in that regard.
This movie is good, and it couldn’t really have been better without a serious
redesign of the plot and characters; it is basically as good as the movie could
get within the constraints it had to work with.
Edit: Woops forgot one of my main points: The main character in Elysium becomes "superpowered" without becoming a superhero; he's still vulnerable and human in the process. If you compare this to something like Drive (a movie with much better acting/music/script) there the hero becomes completely invincible to the point of it being absurd and even though Elysium has a similar level of shock-violence you never feel absolutely secure of some magical heroic victory at the end.
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